MA Digital Theatre (formerly Visual Language of Performance)
MA Digital Theatre (formerly Visual Language of Performance)
MA Digital Theatre (formerly Visual Language of Performance)
MA Digital Theatre (formerly Visual Language of Performance)
MA Digital Theatre (formerly Visual Language of Performance)

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Blast Theory

Blast Theory make interactive art online, on the street and on the phone. The group’s work has been shown at Tate Britain, Museum of Contemporary Art Chicago, Museum of Contemporary Art Sydney, ICC in Tokyo and the Royal Opera House. The group has been nominated for four BAFTAs and has won the Prix Ars Electronica. Formed in 1991, the group is based in Brighton.

http://www.blasttheory.co.uk/bt/index.php

Matt Adams will introduce recent projects such as A Machine To See With, an interactive bank robbery, orchestrated by phone calls on the streets of the city. Matt will also discuss recent research by Blast Theory and the University of Nottingham into low cost outside broadcasting techniques for festivals, sports, protests and art events.

5:15pm Wednesday 7th December 2011, Lecture Theatre, Millbank – All welcome – No RSVP required.

Sprint Festival

Sprint

[one_sixth_first] Submissions are now invited to take part in Camden People’s Theatre’s Sprint Festival 2012.[/one_sixth_first]

[five_sixth_last]
Sprint is an annual festival of unusual, adventurous and experimental theatre from the most exciting new artists and companies in the UK. It includes completed works and works-in-progress, ‘scratch’ performances and on-site artist development. It happens inside CPT and outside, in the streets and buildings, on the waterways and byways beyond the theatre’s doors. It happens in the virtual world and in the audience’s imagination.

Since its inception in 1997 as a showcase for ‘physical, visual and unusual theatre’, Sprint has continued to grow in scope and reputation. Sprint runs for three weeks in March (the exact dates for 2012 are still tbc – please check website for updates or join mailing list). To see last year’s programme click HERE

Companies who found early success at Sprint have included Tell Tale Hearts, Unlimited Theatre, Cartoon de Salvo, Metro-Boulot-Dodo, Fevered Sleep, Shunt, and more recent companies include Idle Motion, Plasticine Men, Tom Marshman, Mamoru Iriguchi, Paper Birds, Stoke Newington International Airport, Search Party and Unpacked. Workshop leaders have included David Glass, Annabel Arden, Marcello Magni, John Wright, Ken Campbell, Polly Teale, Cal McCrystal and Jonathan Kay.
Starting Blocks

Applications are also invited for Starting Blocks 2012, a creative community for developing new theatre work that runs alongside Sprint.

Starting Blocks offers the opportunity to develop new theatre work with the support of Camden People’s Theatre, as part of a peer support network that encourages collaboration and engagement between participating artists. Over ten weeks, the selected artists will meet weekly to share practise, ideas and their developing works. They will also be given space to develop their particular project and practise. The scheme runs from January into March, allowing time for the participants to develop work, or work-in-progress, to be shown at CPT’s prestigious Sprint festival in March over a dedicated weekend.

Applicants can apply with just an idea, or if you have started to develop the idea but now need space, structure, and peer support to develop it further, this would also be acceptable. However the piece must not have been already been developed at another organisation, or with the financial support of a funding body.

The scheme will be overseen by CPT’s directors Brian Logan and Jenny Paton, who will select participants by application form and interview from an open call for submissions.
The deadline for Sprint and Starting Blocks applications are both midday 20th December.
Please email admin@cptheatre.co.uk for an application form for Sprint or Starting Blocks, or more information.[/five_sixth_last]

Winter: Collaborative project

Annual Jocelyn Herbert lecture

October 20, 2011

Ultz gives second Annual Jocelyn Herbert lecture
Tuesday 29 November, 6pm, National Theatre Lyttelton

Ultz, award-winning stage designer and director, explores British theatre design since the 1950s in the second Annual Jocelyn Herbert Lecture.

Set up by University of the Arts London to raise the profile and stimulate debate about the often under-celebrated profession of stage design, the Jocelyn Herbert Lecture series honours Herbert for her part in revolutionising the look of post-war British theatre. Ultz follows Sir Richard Eyre, a friend and colleague of Herbert, who gave the inaugural lecture in 2010.

Tickets are £4 (£3 concessions) and can be purchased from the National Theatre online athttp://www.nationaltheatre.org.uk/67680/platforms/the-annual-jocelyn-herbert-lecture.html or from the Box Office on 020 7452 3000.

The lecture series is supported by The Rootstein Hopkins Foundation and initiated by the Jocelyn Herbert Archive at Wimbledon College of Art. Professor Eileen Hogan, who manages the Archive, says:

“Jocelyn Herbert defined the look of plays that became twentieth century classics and to a large extent re-drew the relationship between the writer, the director and the designer. Through these lectures we want to remember an astonishingly creative and influential woman, but also uncover the role of designers today. As audiences, we tend to remember the director and the actors; designers are less visible even though their role is pivotal. To have such an innovative and multi-faceted designer as Ultz to give this year’s lecture is a great privilege and will illustrate just how central design is to memorable theatre.

“We are delighted to be working with the National Theatre on these lectures, especially since Herbert had a hand in planning the building on the South Bank and went on to mount productions in all three auditoria.”

Performance Event Evening

Visual Language of Performance Event Evening Sept 7th 2011